Poetic lyricists
Who you got? I’m gonna talk about three: Iron & Wine, Gillian Welch, and Low.
Iron & Wine’s latest album, The Shepherd’s Dog, is one of my favorites of the entire decade. The songs all flow together so well, yet stand perfectly on their own, too. And the lyrics are so awesome. One of my favorites is “House by the Sea.” (All songs are posted to the radio.blog.)
There is a house by the sea
Two jealous sisters, they’re waiting for me
And one is laid on the floor
And one is changing the locks on the doors
And I’ve been buying their time on my knees
And I’ve been selling them blankets to bleed onAround the house by the sea
The scent of roses and raspberry leaves
And there is smoke in my clothes
Too much time with just smoke in my nose
But I’ve been making the meaning they lack
And I’ve been burning that book they come back toThere is a house by the sea
And an ocean between it and me
And like the shape of a wave
The jealous sisters will sing on my grave
And I’ve been living to run where they’ve led
And I’ve been dying to rise from their bed
But I’ve been sparing my neck from their chain
And they’ve been changing the sound of my name
And I’ve been swimming to them in my sleep
And I’ve been dreaming our love and our freedom
One of the problems with poetic lyrics is figuring out what they mean. Or part of the fun, I guess I should say! I think this song can be interpreted to mean many different things, but I tend to think it’s about drug addiction. Or something that makes you feel trapped, anyway. My favorite line is “They’ve been changing the sound of my name.” He has a real knack for expressing things in interesting ways.
Gillian Welch’s lyrics amaze me. They’re usually very easy to understand, unlike I&W, who can sometimes make no sense to me. I could have chosen any number of songs to share, but I’ll go with something short—but not sweet. It’s amazing how vivid a picture she can paint with such few words.
One morning, one morning as work I begun
What did I see riding out of the sun
On the road from Lexington?One rider, one rider bent in the breeze
Down on his saddle, low to his knees
Coming through my willow treesNow closer, the terrible work of the gun
Was stiffened and black where his blood all had run
But I knew my wayward sonOne morning, one morning the boy of my breast
Came to my door unable to rest
Even in the arms of death
Rather gruesome, but so powerful.
Low is kind of funny. I always feel like their lyrics are saying something really significant, but I’m not always sure what it is. One of my faves from their most recent album, Drums & Guns, is “Violent Past.”
All I can do is fight
Even if I know you’re right
All I can do is fight
Pretty fingers holding fast
Maybe it’s your violent past
Maybe it’s your violent past
All you can do is hide
God bless the darkness of the night
All you can do is hide
Pretty fingers, the golden calf
Maybe it’s your violent past
Maybe it’s your violent past
Maybe it’s the violet path
Maybe it’s your violent past
Maybe it’s the violet path
Maybe it’s your violent past
So what is the violet path? And why the reference to a golden calf? I did a search for “violet path” and only found World of Warcraft references. Well, that, and apparently Low were originally thinking of naming the album Violet Path. Any ideas? My favorite lines in the song are “All you can do is hide, God bless the darkness of the night.” Sometimes just going to sleep is the only way to escape.
There are a lot, of course, but I love ‘Sometimes (Lester Piggot)’ by James:
Comment by Norbert — April 1, 2008 @ 11:51 am
Please, nobody say U2.
Comment by Brian V — April 1, 2008 @ 1:27 pm
Here’s a favorite:
Holt Boulevard
Between Gary and White
Hooked up with some friends at the Travelodge
Set ourselves up for the night
Carpenter ants in the dresser
Flies in the screen
It will be too late by the time we learn
What these cryptic symbols mean
And I dreamt of a house
Haunted by all you tweakers with your hands out
And the headstones climbed up the hills
And the headstones climbed up the hills
Send somebody out for soda
Comb through the carpet for clues
Reflective tape on our sweatpants
Big holes in our shoes
Every couple minutes someone says he can’t stand it any more
Laugh lines on our faces
Scale maps of the ocean floor
And I dreamt of a camera
Pointing out from inside the television
And the aperture yawning and blinking
And the headstones climbed up the hills
If anybody comes to see me
Tell ‘em they just missed me by a minute
If anybody comes in to our room while we’re asleep
I hope they incinerate everybody in it
And I dreamt of a factory
Where they manufactured what I needed
Using shiny new machines
And the headstones climbed up the hills
– “Palmcorder Yajna,” by The Mountain Goats
Comment by Greg — April 1, 2008 @ 2:06 pm
Death Cab For Cutie:
Comment by MCQ — April 1, 2008 @ 4:51 pm
connor oberst knows how to get his lyric on (the guy gets a lot of hate. I think it’s undeserved. and objectively, man, he’s a great lyricist)
I’ve also really enjoyed andrew bird’s lyrics lately.
re: Iron and Wine. I can’t think of a song with better lyrics, maybe ever, than Trapeze Swinger.
Comment by Jeremy — April 1, 2008 @ 10:05 pm
Oh, I almost forgot, my number one, absolute number one, favorite lyricist of all time - Adam Duritz, of Counting Crows. Nothing beats him. Ever.
Then there’s the obvious ones like Dylan and Lennon. But those almost don’t count anymore.
Comment by Jeremy — April 1, 2008 @ 10:15 pm
You know who else is good? Josh Ritter.
Comment by Susan M — April 2, 2008 @ 7:53 am
I agree with Jeremy about Duritz. I get out “August and Everything After” about once every three months. Anyone heard the new Counting Crows album?
Comment by MCQ — April 2, 2008 @ 6:29 pm
Pretty much anything Neil Finn has penned!
Comment by gabby — April 3, 2008 @ 4:54 pm